![]() Compelling and finely wrought, Saint Omer tears the heart and boggles the mind. Compelling and finely wrought, Saint Omer tears the heart and boggles the mind.” -Amy Taubin, Artforum Silver Lion Winner, Venice Film Festival. Saint Omer tells a true-crime story in an unusually quiet way, relying on long, slow camera shots and heavy pauses to deliver its emotional punches. At once a modern suspense classic, a work of psychological portraiture and a provocative examination of the limits of cross-cultural knowledge, Saint Omer is France’s official submission for Best International Feature to the 2023 Academy Awards®. In her remarkable fiction feature debut, Senegalese-French documentarian Alice Diop constructs a captivating, sensitive, superbly acted drama of continuously revealing layers. Is the accused a liar, a victim, a sorceress, or all of the above? It provides its audience with heart-wrenching scenes that are mostly set in a courtroom where all. The complex mysteries at the heart of this absorbing, wholly original take on both the courtroom drama and the African immigrant experience unfold like a Russian nesting doll. Saint Omer is a movie that doesn’t offer any easy answers to the difficult questions it raises. I hope this trial can help me understand.” Saint Omer is a 2022 French legal drama film directed by Alice Diop and starring Kayije Kagame and Guslagie Malanda. Although she admits to the act, Laurence (Guslagie Malanda) cannot or will not describe her motivation, claiming it was out of her control and adding, “I don’t know. Rama (Kayije Kagame), a successful Parisian journalist, has come to the small French town of Saint Omer to attend the trial of a young Senegalese woman charged with killing her baby daughter. A gut-punching contemplation of a womans immigrant experience, Saint Omer puts a mother on the stand and the audience in the jury box to find humanity in. Diop tells a story of cultural differences – not only between minorities and the majority society, but also within the diaspora.France/2022-directed by Alice Diop | 122 minutes ![]() Rama is pregnant, but that’s not the only reason the woman’s story triggers doubts in her about her own self-image. However, the film turns out to be even more complex due to the fact that there is an outside perspective to boot: Rama, a young novelist working on the ancient Medea myth, is attending the trial. This choice of staging already creates a sort of defamiliarization that makes clear attributions and simple answers difficult. ![]() On the one hand, Diop follows this woman’s trial in an emphatically sober tone, with the accused presenting herself neither as a victim of circumstances nor as a conscienceless perpetrator. The starting point is a fait divers about a young woman from Senegal who abandoned her 15-month-old baby to the tide on a beach in northern France. The main trailer for Saint Omer, released by the films production company Super, quickly starts things off with the event that the films plot revolves around. SAINT OMER, her first work of fiction, is co- written with acclaimed author Marie Ndiaye and continues this project within the framework of a cleverly mirrored courtroom drama – creating one of the most astonishing fiction debuts of the year. French director Alice Diop has explored intrafamilial fractures in Afro-European families in a series of notable documentaries, most recently NOUS (2021). ![]()
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